• Static Fall •

from $60.00

Static Fall -
A woven moment of tension and release - caught between motion and stillness, craft and art

  • Giclée Print on archival paper

  • 15 x 12” or 16×20”

  • To convey and recreate the sculptural and textured elements of the original canvas, it was photographed rather than scanned to create this high quality Giclée print.

  • Open edition • Hand-signed by the artist

  • Ships unframed

This print is from my series in which yarn, string and hand-made acrylic fibers (extruded from paint using a piping technique) are woven, looped, and sculpted onto the painted canvas, resulting in a sculptural surface that is both protective and porous.

Creating new boundaries, barriers, and entry points to explore the body as a shifting landscape - at once vulnerable and safeguarded.

I’m drawn to the tactile: lines become contours, scars, rivers, or roots. Each piece treats the body as a landscape, exploring how we both shield and reveal ourselves. Using materials that sit between “craft” and “fine art,” I aim to blur the line between what’s decorative, functional, and expressive.

Size:

Static Fall -
A woven moment of tension and release - caught between motion and stillness, craft and art

  • Giclée Print on archival paper

  • 15 x 12” or 16×20”

  • To convey and recreate the sculptural and textured elements of the original canvas, it was photographed rather than scanned to create this high quality Giclée print.

  • Open edition • Hand-signed by the artist

  • Ships unframed

This print is from my series in which yarn, string and hand-made acrylic fibers (extruded from paint using a piping technique) are woven, looped, and sculpted onto the painted canvas, resulting in a sculptural surface that is both protective and porous.

Creating new boundaries, barriers, and entry points to explore the body as a shifting landscape - at once vulnerable and safeguarded.

I’m drawn to the tactile: lines become contours, scars, rivers, or roots. Each piece treats the body as a landscape, exploring how we both shield and reveal ourselves. Using materials that sit between “craft” and “fine art,” I aim to blur the line between what’s decorative, functional, and expressive.